There’s Something About Seniors

 

***Images from PowerHouse books.

 

These days, women 70 and older are expanding our gaze to appreciate one of the most often forgotten forms of physical beauty: old age.

That’s right: Our obsession with youth and smooth skin has just been given a wrinkle that may never be Botoxed. A stunning book called Advanced Style (PowerHouse Books, $40) by street style photographer Ari Seth Cohen released this month captures New York City’s most elegant grandes dames. They sport glamorous hats, gold drop earrings, oversized glasses and colourful vintage scarves. Many are regulars on Cohen’s popular blog (advancedstyle.blogspot.ca), on which the book is based. There is also a third prong to the project, a documentary, which will be released this summer.

“I’ve always been interested in style and fashion, and I thought it would be a great way for people to have an inspiring image of what it is to grow older,” Cohen, 30, said of the project, which he started four years ago as an homage to both his grandmothers.

The book’s cover art features the glorious Gitte Lee, a former model revived in an Italian Vogue 2010 editorial.

A few pages later, there is the simply named Rose, wearing a purpled print kimono dress. At 100 years old, she insists no outfit is complete without an eye-catching belt or elegant strand of beads.

Marc Jacobs was so inspired by Cohen’s blog, he based his Fall 2012 collection on it, the designer revealed to WWD and the New York Times.

“I hope I’m like this when I’m older,” Kim Kardashian tweeted upon viewing the YouTube trailer to the Advanced Style documentary, a playful four-minute clip featuring mega-stylish seniors praising colour, leopard print and larger-than-life accessories.

To them, fashion is a vibrant form of self-expression and an unrelenting source of creative freedom.

“I get emails from younger women all the time saying, ‘I can’t wait to get older’ – that’s the most amazing thing to me,” Cohen said. To him, Advanced Style was always about more than capturing golden- and platinum-age fashion: It was about showing how his muses are advanced in many aspect of life. “Style is a reflection of their vitality and spirit,” he said. Many of his subjects experience daily pains and have suffered through tragedy, but they still enjoy their lives brilliantly. Fashion is simply one of those ways.

Cohen adds quotes to the photos in the book, and posts videos of seniors on his blog, where their personalities come through, and are ultimately where Cohen’s project really hooks you.

“I’m old and nobody has to like (what I’m wearing) as far as fashion is concerned,” says Ilona Royce Smithkin, a 92-year old artist-turned-cabaret performer (who still performs), in a video.

With bright orange hair and long matching eyelashes, Smithkin is one of Cohen’s more eccentric dressers and wittiest personalities. “As long as I look in the mirror and (see) – AH! – this is me,” she says, everything is all right. A Q&A with burlesque star Dita Von Teese and Smithkin is printed at the end of the book.

Once entrenched in Cohen’s old-timey world, and peering through his rectangular looking glass – whether in blog, book or video form – one’s eyes are changed for good. Even Beatrix Ost who wears a vibrant emerald turban (for fashion, not religion) with a matching flower appliqué suddenly doesn’t seem, well, so kooky anymore. Rather, personal style becomes an invitation into someone’s autobiography.

 

Style strata

Since most advanced-style women shop within their own closet, Cohen says, their wardrobe not only reflects their personal style, but also the era they come from.

“Women in their 80s, 90s, and 100s dress very differently from women in their 60s and 70s,” he points out. “This sense of elegance of grace, and putting on hats and gloves, is definitely more alive in the older, older women.” During the Depression, he says, style was ultimately a sign of dignity and not giving up. This mentality continued in later life.

Meanwhile, women in their 60s and 70s “went through feminism, and they were influenced by hippie culture,” he said. As a result, some wardrobes tend to have ethnic and even punk influences.

Seventy-four year old Montreal model and actress Francine Lacroix still has a talent agent: Sybille Sasse, one of the few who will represent models 60 and older. Lacroix has fond early memories of fashion. She is also amazed about how much has changed over the years.

“My fun growing up was looking at my mom before she went out at night,” Lacroix said staring off wistfully. “I thought she was beautiful, and she was.” Her father owned well-known furrier J.K. Walkden on Sherbrooke St. downtown, and she can remember the pair heading off to the opening of the Queen Elizabeth (1958), the opening of Places des Arts (1963), and, and then to Expo 67. Her mother often wore custom garments by Leo Chevalier, Marie-Paule Nolin and Michel Robichaud.

As her everyday dress code, her mother used to wear a tweed skirt, a cashmere sweater and pearls. But only a generation apart, and outliving her mother by a number of years, Lacroix says she is deeply influenced by casual dressing. She wears Hue jeggings to the mall.

“There were all kinds of balls with the long white gloves,” she recalls of her own glamorous past spent with her late husband, who worked in advertising. Yet today, for openings at the Musée des Beaux Arts, or at La Maison Symphonique, which she still attends, Lacroix dons a nice slacks suit and cape. Because of arthritis, she says she avoids heels (“I wish I still could!”), and says that pants look better than skirts and dresses with the sensible footwear. Rarely does any event she attend require greater formality than a pantsuit.

Lacroix acknowledges that many Montrealers still live glamorous lives but there is a certain formality that is gone. For instance, people here once danced and dined at the piano bar, which has been uprooted by loud, casual restaurants. New York women, like the ones Cohen photographs, are the rare few who can still enjoy that element of life.

“We hope elegance lasts,” she says, noting how daughters used to copy her mothers’ fashions and now it’s the daughters who tell the mommies what to wear. Today, Lacroix also tries to mix and match like young women do. She’ll toss together a blazer, a pair of pants with Hermès jewels and scarves she collected on exotic trips with her husband. “I think it’s so much fun,” she says of the approach, even though she grew up wearing matching skirt suits, and regards formal style with nostalgia. But however casual Lacroix deems herself to be, her style, her jewels, and her radiant complexion (she swears by Lancôme beauty products) tells of her glamorous past.

 

Facts of life

Living to a certain age, where arthritis becomes a problem for the feet, and buttons become a challenge for the hands, there are certain wardrobe tricks many seniors turn to. Namely, elastic waistband pants, slipover tops, shirts with Velcro, long sleeves and mock turtlenecks. Clothes tend to be less clingy, too. But true advanced-style women, such as the ones selected by Cohen, tend to gravitate toward fine fabrics regardless of physical constraints. They’re also masters at making a stylish impact with bold palettes and accessories.

Cohen’s Valerie (part of the Jean and Valerie fashion duo) may wear head-to-toe leopard print; Mary says “sunglasses are better than a facelift”; Joyce wears gold chandelier earrings and carries Chanel bags; and elegant 80-year-old former dancer Jacquie Tajah Murdoch wears a long black dress, an oversized hat and boasts sharp red painted nails. But in general, there is a formula, Cohen says. “They love accessories and tend to be very good with colour, which helps them feel ‘less invisible,’ ” he says. But their biggest trick, he says, is knowing what they are comfortable wearing.

The hats, the gloves, the confidence, the glamour – there are many reasons why Cohen’s muses and senior style in general seem to be impressing upon younger generations. And while senior fashion fever may not have picked up much beyond Vogue’s annual Age Issue just yet, trendsetters sure seem to be paying attention.

To get a taste of Cohen’s Advanced Style documentary: visit youtube.com and enter the keywords: advanced style film trailer.

Bodysuits Are Back!

*The article below appeared in the Montreal Gazette and then in-print or online at the Vancouver Sun, the Calgary Herald, The Province, The Times Colonist and others.

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“Oh jeez, please no!” is likely what most women think when hearing the word “bodysuit.”

But it’s time to, er, suck it up: The form-fitting, snap-crotch bodysuit is gaining some major retail momentum. By summer, expect to see the look at more stores than just American Apparel.

This season, a navy blue bodysuit sold out across Canada at Club Monaco in less than a month. “Some things just fly off the racks,” said a baffled sales clerk, pulling out a purple bodysuit instead. The purple version with jersey swooping around varies from the bestselling blue, which had long sleeves and was in silk.

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A men’s fashion trilogy, new Americana

 

*This article first appeared in the Montreal Gazette, and then went viral online at Canadian Postmedia newspapers including the Vancouver Sun, Calgary Herald, Edmonton Journal, etc.

 

Here’s a little something for the fellas. This fall I was inspired by the new Americana or Heritage look for men and wrote about it on three separate occasions (one’s on ties, another on man bags, and the last is a Q&A with two store owners). I think it’s a great, cozy style, esp. when pulled off correctly!

These mini articles are different from the long, feature stories I typically post on this website — which, btw, is a forum to showcase my work, not to reprint every single article I write in the earnest ambitions of getting sued! (If you wanna read my shorter articles on a regular basis, please Google!!). Thanks for understanding, kind reader.

It’s Dave’s cousin Gilad (hence the giant photo)! He’s modeling for new online tie company Dolbeau.ca. Note the man-bag too, which is article #2 in this man fashion article trio.

MEN OF TIES, Part 1 of new Americana Men’s Fashion

A slightly dishevelled dapper look is all the rage these days in menswear, according to David Caplan and David Gross.

Citing what’s in this fall, the founders of Dolbeau.ca, a new online custom neckwear company based in Montreal, say keep the jeans and button down, throw on a cozy sweater or blazer, but add a personalized flare -say a floral themed bow tie or perhaps a plaid woolly skinny tie.

“In Montreal, it’s not usual yet, but in Toronto bow ties are becoming more popular,” says Caplan, sporting a bow tie himself. “I wear it everywhere,” he says.

“In Scandinavia and Italy, they’re popular also,” says Gross, wearing one of his custom designed solid ties.

Gross was inspired to launch Dolbeau.ca, named after his grandmother’s street in Outremont, after reading men’s fashion blogs like valetmag.com, getkempt.com, streetpeeper.com and thesartortialist.blogspot.com. He says these blogs, not the runway shows, are dictating fashion today.

“Men are looking for special accessories,” Gross says, and the “workingman Americana” look is the prominent style.

“Bow ties or ties are a great way of expressing yourself and standing out,” he adds.

To keep the look unique, all Dolbeau.caties are custom made.

They’re sewn here in Montreal with the fabric imported from such countries as Germany, Italy, France and the United States.

Customers choose their own two-tone pattern, width, tip and tie length (shorter for petite fellows and longer for taller gents or those with large necks).

“We’re catering to people who know their own taste,” Gross says. “It’s a one of a kind piece for a one of a kind person.”

Custom ties are $119, and bow ties are $89, both plus tax in Quebec, and available for purchase on Dolbeau.ca.

A customized line by boutique Rooney, which includes solid-coloured narrow wool ties and diamond tip bow ties, is available at Rooney on 395 Notre Dame St. W. in Old Montreal and rooneyshop.com.

Lookbook
One of the Dolbeau.ca founders David Caplan.

 

Man Bags All The Rage, Part 2 of New Americana Men’s Fashion

Scott (the Sartorialist) Schuman helped to raise the mystique of WANT Les Essentiels de la Vie bags, founded by Montrealers Dexter and Byron Peart, by last year featuring the brand in the SartoriaLUST pop-up shop at Barneys New York. These days, men of all types, not just street-style photographers, are coveting a good bag to lug around their gadgets.

“Men are constantly travelling with smart phones, iPads, iPods, keys, wallets, pens, passports, etc.,” Dexter Peart said. “There’s a legitimate need for small bags that offer the same function as a lady’s purse, (but) something that retains a certain masculinity.”

So call it a man bag, a “murse” or even just a bag. Just make sure it serves several purposes.

According to the Peart bothers, their O’Hare tote, which comes in leather or organic cotton, is a hit because it has a minimalist design and can be used for multiple purposes.

Still, they agree that most men need four bags: a computer bag, a shoulder bag/ knapsack, an overnight bag and a tote.

“We try to create products that adapt to the contrasting environment that we live in,” Byron Peart said.

Filson%20ori%20briefcase%20tan%20front
A Filson briefcase from ronneyshop.com. See interview below.

 

Q&A with owners of Boutique Rooney

Alex Danino and Michelle Golfman, who are husband and wife, own Rooney, a men’s and women’s clothing boutique at 395 Notre Dame St. W. in Old Montreal. Next to the shop’s ever-fashionable women’s tops and sweaters, there is a “well curated” assortment of Americana men’s fashion. 514-543-6234. www.rooneyshop.com.

How did you come up with the store’s concept -or, first of all, what would you call the store’s concept?

Alex: Well, it’s a unisex store, and, at this moment, it’s probably split 60 per cent on the men’s side and 40 per cent on the women’s. It’s becoming a bit more of a lifestyle shop, too, with a variety of interesting things that all go toward the same aesthetic, really, be it through books or accessories or whatever. But you asked what the concept is, right?

Yep.

Alex: Well, the aesthetic is my own personal evolution. Initially when we opened the store (five years ago), it was more of a streetwear –

Michelle: Younger.

Alex: Yeah, younger and the commodities were a bit more affordable. There were more T-shirts, hoodies, button-downs and denim. Footwear was more on the sneaker side. Then I turned 30 and then I was sort of like, ‘you know what? I want to get into more of a mature feel.’

So, how are the clothes different now?

Alex: I got into more formal footwear, more like an Oxford-style. And then the brands that I was personally starting to be passionate about, a lot of them are starting to manufacture in North America or sourcing fabrics from Italy and Portugal, so the prices went up, too. But that’s not every product -there’s a real mix. I don’t want button-downs to be above $200. We try to make it affordable. We even have button-downs starting at $70.

I see a lot of plaid button-downs here. How is a $200 plaid shirt here different than one, say, at H&M for about $20?

Alex: Well, you know, they cut corners. They offer a product for really, really cheap and they save money because they need to cut corners somewhere.

Michelle: And they sell to mass.

Alex: Yeah, and so there are two things. You end up with a product that’s not going to last you and then you end up with a product that maybe every one of your friends is going to be in. Although the second part might not be as important, I think the first part is because you’ll end up with a product that will probably fall apart.

And how long should a plaid shirt from here last?

Alex: Well, I mean, hopefully, maybe 10 years, maybe more. And a lot of these products get better with age. Like some of the fabrics they’re using are wax cottons, canvas, denim -and they age well. They get these patinas when you wear them. If you have a wallet in a certain position or if you have something always there like keys, you have your own personal wear, which is kind of cool.

So, it’s a preppy, over-30, worn patina look -is that the style you’re now selling?

Alex: I guess you could call preppy, or you could call it Americana or even Canadiana, like local stuff that’s made in the U.S. or Canada. Also, there’s a resurgence in heritage brands that have actually been around for over 100 years, like woollen products from Pendleton and Woolrich. Then there’s Filson and Red Wing boots that still make the same products. The overall aesthetic is influencing a lot of the new designers, too.

How does a guy wear these heritage products in a modern style, though? Like, right there I see plaid flannel shirt. I mean, what do you call that style of plaid again?

Alex: Blanket check.

Right. So, on the mannequin you’ve put a blanket check button-down shirt, with a tie and an over-sweater: What’s that look about?

Alex: It’s the prints, the patterns, the fabrics that are blended together. It’s not just a white shirt with a black blazer and a black tie. This is texture, which is cool. Because there’s like flannel with a pattern and then the thicker woolly texture. And then you have a tie with its own really interesting weave. So, together you’ve got more of an outdoorsy feel as opposed to something that, say, a banker or an accountant might wear.

Where would a guy wear that kind of outfit?

Alex: To be honest, anywhere and always. I see a guy walking out of his house, you know, or if you’re working in a creative field from marketing to advertising to an Internet company. And it’s cool to see because it’s been a good response. People even younger than guys in their 30s are taking this kind of trend into their lives. Guys as young as high school.

We even sell this book that was a reissue from the 1960s.

I see: Take Ivy, by Teruyoshi Hayashida.

Alex: Yeah, it was made in 1965 by a Japanese photographer and all these images are Ivy League campuses in the ’60s and the fashion is exactly the same today. The things they’re wearing (points to a picture of check Bermuda shorts) are exactly what I sold this summer. It’s really kind of interesting how it’s come full circle, though in more slightly updated ways.

What are some of those updates?

Alex: They’re less boxy. They’re a little more tailored and fitted. But they’ll still have some of the original features like box pleats in a shirt, or button-down collars, but at the same time more of a modern fit.

What do you think is responsible for the resurgence in this style of men’s fashion?

Alex: Good question. Obviously, it’s always been around with J. Crew and things. But now it’s become more popular starting about 31/2 years ago, where you started getting a lot of blogs who are interested in these products, and really going after these old brands. And then it started trickling into the designers.

Michelle: And then there are TV shows like Mad Men and people are wanting to bring that back.

Alex: Yeah. And even now on Boardwalk Empire they dress amazingly; all the clothing’s phenomenal.

Do your customers buy separate pieces or the entire look?

Alex: Overall, it’s the whole aesthetic, the whole package that you see all together. Like some guy in Australia bought a pair of Bass shoes on our online shop, which is an old company that’s easy to find, but it was just packaged on my website. So this guy got a blazer from Our Legacy, a pair of shoes from Bass, I think maybe a book also.

What’s your average customer like?

Alex: Anywhere from 20 to 40. There’s a good section of tourists who come through and then there are a lot of locals. We also have people coming back from Toronto and New York who go on these foodie-type trips.

So your heritage clothes are on the upswing with local gourmand cuisine?

Alex: Yeah, except sadly, there aren’t a lot of Montreal or Canadiana heritage brands. We carry Naked and Famous from Montreal, who do quite well –

Michelle: Otherwise, there’s a mixture of American, Swedish, British …

You’ve described your store as “well-curated” before. What do you mean by that?

Alex: That I take an obscene amount of time to research some of the products. It’s all I do and I love doing it. So, it’s really my passion. I spend all day long looking at products, blogs, seeing what people are doing out there. I look at everything.

Michelle: And all night. All day, all night -it’s true.

Alex: We always focus on the quality of the product, and backstory is important. I want to tell customers where the product is from, who the designer is, so they can walk away knowing what they just bought.

Michelle: It’s that or H&M. Alex: And guys want product. They want product that can last, that are made by hand. That’s what this store is about. It’s not to say that China doesn’t make good product -we sell product made in China, they’re known for knit and they have some of the best machinery -it’s just that the English mill worker has history. They’ve been doing it for 150 years. Wax cotton is part of their tradition. If you wanna get the best product, you have to ask ‘where is it from?’ and ‘where did it originate?’

Looking Good in Green

THE-GAZETTE

Weekend Life cover, Montreal Gazette.

*This article also appeared, in full or in part, in The National Post, The Ottawa Citizen, The Calgary Herald, The Windsor Star, The Leader Post, The Star Phoenix and in industry blogs like ecofashionworld.com and payitforward.org.

It’s vegan, eco-friendly, fair-trade, made locally – and proceeds help impoverished children! The latest do-gooder fashion companies are certainly setting some high standards.

Toms Shoes, based in Santa Monica, Calif., is giving away a pair of shoes to a needy child for every pair purchased. British giant Marks and Spencer has adopted a mission – “Plan A” – to become carbon neutral and to stop sending waste to landfills by 2012.

Meanwhile, Paris’s yearly Ethical Fashion Show, a trade event featuring conferences, workshops and runway shows centred on ecological and social matters, is touring cities such as New York, Rio de Janeiro, Berlin and Milan through next year.

The sustainable-fashion movement is blowing up like a big green balloon, with innovative companies finally adding corporate responsibility to the bottom line.

Problem is, as a consumer, after you try on those perfect-fitting jeans, in the 30 seconds it takes to walk to the cash register, it’s nearly impossible to start weighing ecological matters such as water waste and land use, or ethical matters, such as labour conditions and charity causes.

“Most people get overwhelmed and turn it off,” said Lindsay Coulter, a.k.a. the Queen of Green for the David Suzuki Foundation.

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Refashion beloved pieces so they look like this season’s must-haves

Refashion

Hossein Padar turned a vintage Missoni Size 10 blazer into a Size 4. Photograph by: JOHN KENNEY, MONTREAL GAZETTE.
*This article appeared, in full or in part, in The Montreal Gazette, The National Post, The Financial Post, The Ottawa Citizen, The Times Colonist, The Edmonton Journal, Global TV Regina, and more.
I have a leather jacket that’s been rebuilt twice already. Each time it costs about $100. I just can’t seem to part with its perfect fit and buttery worn leather — or justify spending $600 on a new one. New boots or shoes? All it takes is $24 to make a pair of vanity heels downtown-proof with a set of rubber treads. That way my darling soles will remain intact until irreparable scuffs do us part.

Behind-the-scenes tailors and shoemakers make this one-woman fashion show go on.Like a modern-day Scarlett O’Hara weaving her drapes into a gown, I’m a diva who will always dress to impress — even if my fortunes or circumstances dictate otherwise. And my need for these trusted helpers is hardly rare.

The best wardrobes I’ve seen are amassed by ladies who conquer their inner fashion victim with the help of a tailor. Perhaps she’s too stout, too shapeless or too lopsided underneath it all? Or maybe she’s an impulse buyer who needs to spruce up all those non- returnable items? No matter — she knows exactly where to turn to stay on top of her game.

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Part I, Sultry and Sleeveless; click for part II, History of Asymmetrical

BCBG

One-Shouldered Dress on BCBG Runway.

*This article appeared, in full or in part, in the Montreal Gazette, Vancouver Sun, National Post, The Edmonton Journal, Global TV, and more. With special thanks to shrimptoncouture.com!

The one-armed Jane — Tarzan’s gal pal — is coming on strong this summer on the runways, red carpets and Winners outlets near you.

Asymmetrical tops pull the eye in all sorts of directions, from the arm to the neck and up to the face, so all that extra effort had better point our gaze somewhere worthwhile. For edgy gals, it may lead our eyes to a flower or even a turban — which is what Kate Moss wore with her silver asymmetrical mini Marc Jacobs dress to a gala at the Metropolitan Museum of Art in New York in May.

But ladies who can direct our eyes toward something symbolically large — like toward hope, to a baby, or a dashing new president — are the ones who’ve truly dazzled in asymmetrical in the last year.

Think of Michelle Obama at the Inaugural Ball in January with her white chiffon Jason Wu gown. The new president’s goofy smile said it all: “How good-looking is my wife?” a charmed Barack Obama asked the press that night. Like a moving statue — not a dinky trophy — the first lady’s dignified drape swished as she danced. Her bold character, paired with that classical dress, made her the perfect embodiment of a Greek goddess.

Other memorable asymmetrical looks this year were worn by breast cancer survivor Christina Applegate at the Screen Actors Guild awards (in green) and Heidi Klum, who donned an off-the-shoulder disco silver mini dress, with a cape, to the Council of Fashion Designers of America awards in June. Her look was radiant, especially with her enormous pregnant belly.

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Flipside of Friperies (or second-hand shops)

*This article appeared in The Montreal Gazette. A Montreal friperie guide appears at the bottom of this story.

As a young teen, I used to travel up St. Laurent Blvd., across Mount Royal Ave., then down St. Denis St. looking for the most nondescript, perfectly dishevelled frocks: tattered jean shorts, maybe a plaid buttondown to synch around my waist. I was inspired by earlier 90s vibes, when flashy logos were like darkness visible. To me, these thrift-stores represented the few leftover threads of anti-consumer angst – not a dwindling economy.

Yet since the economic downturn, secondhand shops are getting a double take from both buyers and sellers. This time it’s not Kurt Cobain-revival grunge nabbing the attention. Rather, it’s the high-to mid-end consignment stores, a.k.a. friperies, coming into the spotlight.

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